Showing posts with label Swahili. Show all posts
Showing posts with label Swahili. Show all posts

Monday, 14 October 2013

Brainboxer : The Pumpkin Pie Barber


Dear Brainboxer,

When I was about five or six, I had never tried pumpkin pie before.  I was living with my aunt, uncle and their family in Ottawa.  One Thanksgiving my aunt decided she was going to not only have pumpkin pie for the traditional dessert, but to make it herself.  She probably cooked it in her mind for days beforehand, and then on Thanksgiving morning she laboured for hours to get it just right.  For whatever reason it was just me and her at home, and in the late afternoon she had to run out for something.  She pulled the fresh and ready pumpkin pie from the oven, hot and brown and steaming, and told me not to touch it while she was gone.

Having never tried pumpkin pie, I was very curious.  Also, my uncle was the kind of head-of-table patriarch whose dinner-time refrain went something like, “How do you know you don’t like it if you’ve never tried it,” (which, to me, sounded like, “YOU WILL TRY OR YOU WILL DIE,” from the fire-breathing jaws of a dragon) and who insisted that if you’ve got it on your plate, you will put it in your gate.  So what if I didn’t like pumpkin pie after all?  Besides, it looked kind of ugly: brown goo in a boring crust, and pumpkins…  Who eats the stuff you scoop out of a jack o’ lantern?  So, combine curiosity, the fire-breathing dragon, and the additional fact that I was a pain-in-the-ass brat – and you understand how I ruined Thanksgiving.

I started at the very corner of the circular pie, with a finger dipped into the goo.  Just a tiny bit.  I ran away from the oven and stuck it into my mouth.  Not bad.  I listened for my aunt coming home…  Nothing.  I went back to the pie, and there it was, undeniable: my fingerprint!  I tried to move more goo from the corner over the fingerprint and to smooth it over, licking my hands of course, but after I was done it looked even worse.  A whole side of the pie had been tampered with!  Okay, okay, think…  One corner is clear evidence of human disturbance, but what if that was spread out around the whole pie?  Carefully, very carefully, I made a line with my finger around the pie, between the goo and the crust.  I had to eat as I went, for where else would the goo go;and I thought, it doesn’t taste not too bad at all.  When the line was done I listened for the door again…  Still nothing.  But the circle was uneven – it was worse!  All I could do was thicken it to the thickest point, because no oven would make a circle like that – but a non-human symmetrical effect from the grill?  Why not.

When I was finished with my masterwork of subterfuge I truly believed that anyone who looked upon the pie wouldn’t see my strokes of genius or any change at all, and if they did, they’d put it down to the witchery of the kitchen.  So I walked away happy (and satisfied), just minutes before my aunt returned.

Well, she noticed.  I pretended not to know what she was talking about.  In the same motion as she tossed her experimental pie into the trash she turned on me and gave me a mouthful of something other than pumpkin.  And then we went together to the grocery store to buy a new one, probably made in some factory where cameras watch the every move of the baker.  Needless to say, I don’t think I was allowed any for Thanksgiving dessert.

***

It was time for the Kilindoni full circle.  On my first day on Mafia Island, I found a barber just past the main intersection and asked to get my beard trimmed.  A group of men and boys were on the couch playing cards, and it seemed like quite a sight for a mzungu like me to just barge in and ask for the price of a haircut.  Didn’t I get my hair cut in my home country, where people knew how to deal with brown curls and a daily bush of prickles on the cheek?  The barber obliquely refused to help; he threw up his shoulders and indicated that he’d help me if he could, but in my case he was impotent.  I stepped further in, picked up a razor, turned it on and pointed it at my beard.  “Ndiyo?” I said.  All of the barber’s friends were teasing him now, poking and high-fiving, and he blushed.  I knew the price would be fair.  “Ndiyo,” he said, and then he trimmed my beard.  Afterwards I taught the whole gang to play Hearts.

So, in my last week in Kilindoni before the move (after two months of hoops) to Utende, I decided to come back.  I had passed nearly every day and waved to the barber who was usually listening to music or sleeping on his couch.  I had tried another barber for the monthly beard trimming, and it was fine – I had to haggle the price a little, and he never smiled.  When I returned to my original hairdresser, he was alone but happy to see me.  He circled his face with his finger and said what must have been “beard trim” in Swahili.  “Hapana,” I said, and lifted up my long hair to flop it back down.  His eyes went wide.  I asked him how much, he gave a high price; we haggled, and then made the deal.

I don’t keep very well-groomed.  I let the beard and the hair grow until one of the two gets in my way, and then get it cut for as low a price as I can find (I don’t fret about packing razors when I travel, or here in Tanzania, but yes, I do know how to shave and will if it’s cheaper…).  My hair before my Kilindoni cut was the longest it has ever been.  I could pull it down over my face and hold it there with my teeth.  It curled into an impossible ball at my neck.  It flapped out into embarrassing wings that I could feel bounce when running, until the sweat brought them back down.  It swirled in such loops that people asked if I had my hair “done”, which was exacerbated here by being bleached by the sun, which made it look artificially dyed.  It had been due for a cut for a long time, but Al insisted that she’d ditch me if I did.  Finally she said it was getting a little too long – too “heavy” was her word – in that the hair no longer curled but just came down.  She gave permission to cut a little off.

So there I sat as my friend the red-shirted barber threw the plastic cloak over my and the busted chair.  “Moja, mbili, tatu, nne?” he asked.  One, two, three or four?  He was referring to razor sizes.  No, no, I told him, and made a click-click sound while miming a pair of hand-scissors.  He was bewildered.  He picked up the scissors.  I showed him the length I wanted cut (about a thumb) and he cut it off.  He understood and smiled.  Then he put the scissors down and pulled out a razor, placing the number four clip on top.  Oh shit, I thought, he doesn’t know how to use the scissors.  And then he proceeded to razor my head.

It wasn’t so bad, not too short – and it’ll grow back soon.  But my friend the red-shirted barber was getting excited.  When I told him that I wanted the sides and back a little shorter, he flipped between numbers 3 and 4 on the plastic scale about a dozen times, tossing his tools back and forth like a juvenile basketball player.  He took the plastic off altogether, and sheared my sideburns – why bother asking me?  But in doing that, another piece was exposed: the beard was cut into.  I’d specifically said to leave the beard.  Okay, he thought, just some cosmetics.  He slowly, painstakingly converted the surrounding areas to layered in bits of facial hair.  And to balance it, he kept razoring my forehead, pushing my hairline a millimeter back with each little adjustment.  But the layering had to be even, not just confined to the sides.  He buzzed my cheeks, just a little here, then above my mustache, just a little there.  I was becoming his masterpiece, and I didn’t even notice!

Truth be told, I’d given up.  My few words in Swahili went nowhere, and he wouldn’t have cared if I was fluent anyways; I was in the artist’s chair now.  So I listened to the music, which was pumped loud enough for the whole street and would be welcome in those awfully silent barber shops and hairdresser’s where conversation is a way to survive the silence, and when the weather comes up and you feel like you’re back in safe territory from politics and poor jokes, you still think that this guy who has scissors around your ears thinks that you are his most boring client of all time.  Not here, though.  My barber might have thought my conversation was boring, but my hair was absolutely enthralling.  So I let him have his cake, and wandered in my mind or around the room.  His music-playing computer from 1998 had a screen background of a man who is crying out, “Plz give me my hart back,” as a fur-coated femme fatale on high heels walks away with what looks like a butchered chicken throbbing in hair hand.  There were fake flowers above the door, thin floor-covering for the table-top, a cut-up couch and regular wafts of barber-odour and disinfectant.  The odd person walked outside, saw me and stopped, and then went off to tell his friends: the long-haired hippie mzungu is getting his hair cut!  

There was indeed enough time for some of the people I know to find me and take a look, because my red-shirted friend the barber kept getting himself stuck fixing what he’d done.  Just have to shorten this corner at the back…now the other side…better do the middle…wait, what about the top…now that first corner has to be shorter, too…alright, let’s even out the whole head, and don’t leave the face…in fact, forget it, let’s just make the bastard bald.  In the end, size 4 became a 3, size 3 became a 2, my hairline was sent back the way it came, and the beard came off altogether.  It was a kick to look down and see my pile of hair.  Everyone else laughed too.  My red-shirted friend the barber was in terrific spirits, and I couldn’t help but think of him smiling the same way in front of a pumpkin pie he’d never tried before.  I paid up and walked out minus some weight off my head.

And then I remembered, what will Al say?

Yours

QM

Monday, 9 September 2013

o : Mafia Island, No. 3 (A Day)

The Isaya Guesthouse
Kilindoni
Mafia Island
Tanzania


Dear o,

It’s any odd day on Mafia Island.

At about 5am, before first light has touched the sky, the soundsystem of Kilindoni mosque sends out the singing voice of the muezzin for the first call to prayer.  Between his syllables the island remains silent.  On some mornings you let the intoned prayers wash over you and send you cruising back to sleep.  On others you wedge your head under the pillow, curse religion for forcing itself on those who just don’t feel like getting up yet, and try to dream about a plan to steal away in the darkest hour of the night and smash the damn speakers to pieces.

Unless it’s Friday the prayers don’t last forever, and an hour later you rise.  You throw on your salt-stained running clothes and head for the beach.  Above you the sky is dark blue, but the stars are giving way to the sun, and the blooming clouds are tipped with pink.

You are a far cry from the early bird, and the worm has been got a long time ago.  The fruit-sellers are in place as if they never slept.  Roadside cooks offer a breakfast of chapati, chai, samosa and fried banana.  Two young men cover the empty lots by the market stalls with sheets, and onto the sheets they heave sacks of rice.  Hungry crows stand on the metal roofs and watch as the men untie the knots and spread the rice evenly on the ground to dry out under the approaching sun.  When the sun sets the men will shoo away the birds, who are in fact bored by the same old plate of rice, and repeat their routine in reverse.

You walk across the town on roads of sand.  You join the traffic of old men with canes, teenagers blasting Sheryl Crow from their mobile phones, bicycles with a rider and two hangers-on, a few trucks and motorcycles, and long lines of white-and-blue uniformed students who each carry a book in one arm and a piece of wood in the other.  Most people say jambo or mambo, habari or za asabuhi.  Some stop and stare at you, especially the children.  A mother takes her boy by the arm and walks with him right out onto the road in front of you.  She grabs his hand and waves it for him, and says, “bye bye”.  She wants to introduce him to you as if she were tossing him into the playpen of chickenpox-infected kids.  But the boy starts to cry, and his mother smiles at you and takes him away.  He’s not inoculated from you yet.

You come up to the usual place.  An assemblage of women who cook between the road and a house whisper something to each other and behind them.  Suddenly the expansive old lady, who reminds you of a bigger, balder version your Great Auntie E., leaps out from her wood-enclosed kitchen stockade, throws her arms up, and shouts “Jambo!” – and the world has woken.  Kids have gathered to watch the exchange, and the cooking women are already laughing.  You greet her, and she goes on, “Jambo!  Jambo!  Jambo!”  You say “shikamoo,” the respectful greeting to an elder, which she returns with the expected, “marahaba”.  You shake her hand and feel the hard leather of a life’s work within your fingers.  Her chest is strong, her alms are bulk, and her face lights up the street.  She is leading the laughter, clapping her hands and stomping in the dirt, as you say whatever words you can come up with.  Eventually it ends with “Tutaonana” (good-bye), and she returns to the stockade, yelling at the other women.

You do your stretches in a field which hosts afternoon football/soccer, but is now quiet and peaceful.  Some kids on their way to school stop across the pitch and emulate your movements.  The sun peeks through the trees and lights up globules of red and orange in the shadows.  You take a sip of water, hide your bottle behind a fallen palm trunk, and run on the village tracks. 

You arrive at the beach right beside the dividing line, which is unofficially demarcated by the yellow wall of the hatchery, between the island’s two great industries: fishing and tourism.  To your right are scores of boats double-tied to anchor and shore, and hundreds of men who are getting ready for a day’s work, or who have just returned from a night out.  The smoke of fifty breakfast fires fills the little bay, and a low but rising sun lights up the haze from behind.  Because of all the boat-lines to the right which make it nigh on impossible to run, you turn left, towards the tourist industry, and plant your jogging feet into the deep sand alongside a beach camp and a lodge.

There are only three boats here, all identical and made for off-island tours, probably for spotting whale sharks; they send no lines onto the shore, so as not to interfere with the strolls of the beach-loving guests.  Most are still sleeping, while the lodge workers in dark green t-shirts set out cushions and tables and open the kayak shed.  A Norwegian family of three emerges for their morning walk, and the Englishman you met yesterday sits on a recliner above the sand with his face in his Kindle.  He doesn’t say Jambo.

The sun is already hot on your skin as you run down the beach to the inlet, which is an engulfing river at high tide and nothing but a creek in the sand at low.  There are thousands of crabs burrowed into their holes.  They sprint from the surf as you approach and crouch half into the ground, watching.  Just before you step over them, they dart down to safety.  The two dogs finally see you, rush out from the palm-forest, and try to play.  They bark and whimper and get in your way, but you’ve got to keep running.  Eventually they, like everyone else, give up and watch.

Morning has become day.  You return to town by way of the fishermen’s beach, which is really an obstacle course of boat-lines that sway up and down with the tide.  Some are brightly coloured and thick; some you can’t see until your nose is already smacked.  You step over or crawl under the lines, and in search for the best points to pass you walk zig-zag along.  From the sky you probably resemble a fish.  And that is the smell that is everywhere along with the smoke: huge sheets spread out to dry fish in the sun; they are mostly small and likely bait.  Fishing nets are also thrown out over the ground, and men repair rips and tears in monkish contemplation.  Others hammer at boats wedged up onto the beach at low tide, or hang back on the bank if the tide is high.  Some are out alone in their dugout canoes, shifting their paddle from starboard to port with such grace that you think they must have been born with it in hand.

Back in town the traffic has become bustle, and all the shops are open: hardware merchants near the waterfront; fluorescent-lighted barbers with their loiterers; stationeries that are actually stationeries and stationeries that are actually music-playing video stores; the mzungu shop with its Pringles, Nutella, shampoo and toilet paper; and more mobile phone kiosks than Manhattan.  By the fruit market the antisocial woodworker is turning the lathe and making yet another table-leg.  He has huge cheeks, and perenially foggy glasses.  And he is still wearing that same white toque.

There is a wide variety of available establishments for lunch, but they all serve the same thing at the same price: rice or ugali (soft, sticky ball of maize and/or rice), beans, a thumb-sized chunk of lamb or beef, and a dollop of tomatoes-and-onions.  Today you find and pick a new one, and the portion is substantial enough.  You won’t need to go hunt down some chapati, chipsimayai (chips with fried egg) or a kebab of meat later on.

The afternoon heat sends people off to chat or play music, or if they cannot leave their post, against the wall to sleep.  Noise mixes with the temperature: televised English football from this stall or that, men revving their motorcycles as if to make harmony, even the odd ambulance or landing airplane.  On most days at about this time the power goes out for an hour or two, but the only indication of it is comes when the local headquarters of the ruling political party (Chama Cha Mapinduza) switches on their generator.  The covered, tunneling market is still cool, meanwhile, and regardless of electricity the conversations only mumble through its wooden frame.  You meander through it and then to the town again, catching on the noise and falling with the sleepers; you are restless and thirsty and water doesn’t help.  Nobody is busy, nobody is going anywhere, but everyone continues to go.  You join them.

You trek out of the centre of town, around the ring-fenced airstrip, past the police station and behind the hospital to the practically invisible Whale Shark Lodge.  You catch the sun lower between the trees of its outstanding, ridge-top view.  It’s hard to believe the day is already ending, but so it is.  You order some food and are told it will take two hours to prepare.  You’re fine with that.  You watch the sun set, and see the dozen crowded fishing boats cross under it, going out to sea.  The trees down the ridge in front of you rustle, and you figure school has finished.  But then you see the dark figures leap from branch to branch, and realise they are Black Monkeys.  They call each other, play with each other, and stare at you.  When the sun gets dark and red you don’t know what to pay more attention to.

The Indian-inspired food is excellent, and it better be; at five times the price of a downtown stall meal, you hope you aren’t just paying for the privilege to sit.  And as the sun’s last light goes, you see two sets of stars.  One above, the southern sky, somehow stranger, more brilliant, more punctuated than that of the north.  The other set of stars are out on the sea: the fishing boats have switched on their lights, and form a long line of twinkles across the ocean horizon.  You think you can hear them, the same commotion from the beachside at dawn now played out on the black water, and echoing back to you.  You watch and listen, it comes in waves, and the night passes as fast as the day.

From a different mosque and in a different voice, but in the same tones, comes the last call to prayer.  The middle three all jumbled together, but this one is clear and final.  You walk beneath it on your way home.  You won’t go out to the Container Bar tonight to watch the school principal bump hips with young ladies, nor swap Swahili and English with Jake at the roundabout.  You want to listen a little more.  The island town is still buzzing and light and fun, and there is music in all corners.  But it has reached its apex, and begun its inexorable drive to the silence of dawn.

You don’t dream about smashing speakers against the mosque walls, but of gently unhooking the wires and burying them under rocks.  They must have had an extra set, however, for there’s the muezzin all over again, starting a day that doesn’t always want to be started.

Yours,

QM

The 'tourism' side of the beach
High tide
A dhow near the new dock
Fishing beach
A dhow
Fishing beach